Come see Linda and Robert Scarth, photographers of Deep Nature: Photographs from Iowa, on Sunday at the WOW! Wonder of Words Author Fair. They will be giving a background of their books and reading selections, and speaking about why they write and their writing processes.
What: "Picture Perfect Iowa"
When: Sunday, October 28
Where: Capital Square Downtown Des Moines (400 Locust Street), in the ISU classroom on the ground level of Capital Square
Time: 1:30pm - 2:50pm
Interactive Des Moines Parking Map
Other WOW! Events
Deep Nature, photographers: Linda and Robert Scarth
Friday, October 26, 2012
UI Press Gardens update
The rain and wind of
the last few days and the frost earlier in the month have pretty much finished
the blooming season; fall is definitely here. We are determined to rein in the exuberance
of the cup plants and the brown-eyed Susans next year and try to keep them from
taking over the sidewalk; UPS and Fed Ex deliveries are now in constant danger
of being snagged by overgrown prairie plants. If possible we will add another
layer of mulch to the rain and the prairie gardens, and we need to clip the
dead flower stalks, but otherwise there is little to do to prepare the plants
for the winter ahead. After three and four summers respectively, the rain and
prairie gardens are well established, healthy, and lovely. We need to increase
their diversity next season, and we need to continue to fill in areas where
plants are not thriving, but overall we are very pleased with the rain garden's design and with the ability of the long roots of its plants to keep water out of our
basement.
Wednesday, October 24, 2012
Thomas Rosburg Interview Part 2
You include
information about champion trees—the tallest trees and trees with the largest
diameter—in your new guide. Tell us about the Big Tree program.
The Big Tree program was conceived and is
sponsored by American Forests, the oldest nonprofit conservation organization in
the United States. It was established about 70 years ago to find, protect, and
appreciate the largest individuals of tree species in all 50 states. American
Forests maintains the National Register of Big Trees, which lists the biggest
trees in America. Big trees are determined by combining together three
measurements – the circumference (or diameter), the height, and the diameter of
the crown. More than 870 species of trees are eligible for the register. Each
state has its own register to recognize the largest individuals in the state.
Big trees epitomize an important natural resource value – one that is embedded
in the quality of old-growth forest. For most species, big trees exist because
they have lived a long time, at least relative to the typical life span for the
species. That suggests to me that they deserve our respect and admiration. They
are not replaceable.
Do you have
favorite tree families? Favorite species?
It would probably have to be the oaks because
of their predominance and ecological importance in much of the country. Also
most oaks are capable of very long lives, so they provide a bridge to the past.
A big 300-year-old oak was beginning its life before America fought for its
independence. If they could talk, they could tell us many interesting (and
ecologically valuable) stories.
Of the oaks, the bur oak is my favorite. The
big old trees often display a lot of character in their gnarled, twisted, and
worn-out appearance.
You’re
wrapping up another project for UI Press: all-new photographs for a second
edition of Wildflowers and Other Plants
of Iowa Wetlands. How has this summer’s extreme drought affected Iowa’s
wildflowers and plants in general?
In ways that most of us have never seen before,
but mainly because of the very early phenology initiated by the extremely early
spring. Many plant species bloomed up to 4 weeks early. This combined with
wetlands that are or have dried up has made the task of finding wetland plants
in photographic form (in flower) very difficult. The extreme drought has
certainly decreased plant growth and productivity and in some cases flowering.
This has generally resulted in lower vigor and photogenic quality.
Monday, October 22, 2012
Thomas Rosburg Interview Part 1
You’ve been photographing plants since 1977, when
you received a 35 mm
SLR camera as a graduation gift. What
kind of cameras and equipment are you using now?
I am using Nikon cameras
and lenses. I have an F4 and F3 for film photography and a D200 for digital
work. I prefer the film for several reasons – the main overarching reason is
that I believe it more fully embraces the art and challenges of photography.
Lenses include wide angle (17–35, 28 mm), macros (105 and 200 mm), and short to
long telephotos (70–200, 300, 400, and 600 mm). I often use extension tubes and
diopters to increase image size and diffusers and umbrellas to control light.
And I always use gray cards to determine exposure.
Tell us about the challenges of photographing
trees, especially in the small format of the laminated guides.
Obviously trees do
qualify as content for plant photography, but they are vastly different
subjects compared to herbaceous plants. This is because of their vast size.
Making a portrait of a tree is not really even possible, at least not in the
same way a portrait is made of an herb. A different approach is necessary for
trees, one that implements close-ups of small portions of the tree. A
photographic challenge for the guide was in combining images of leaves and
fruits in the same photo in order to present diagnostic information helpful for
identification. For a few species, like elms, the fruits are produced before
leaf-out. Another challenge was in representing the natural variation in shape
and size of the leaves. The small format of the pocket guides made it unlikely
that images of entire trees (the complete individual tree) would be useful, as
very little of the tree’s features would be discernible.
Since the leaf is the
single most important diagnostic characteristic of trees, I decided that
showing a few to several leaves detached from the tree was the best way to
visualize their morphology. Some leaves in each image were turned over to
provide views of both the top and bottom surfaces.
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